Die Ölgemälde alles Adriaen van der werff


Choice ID Image  Painting (From A to Z)       Details 
93173 A nymph dancing before a shepherd playing a flute.  A nymph dancing before a shepherd playing a flute.   1718 Medium oil on panel Dimensions 44 X 33 cm (17.3 X 13 in) cjr
93174 Adam and Eve.  Adam and Eve.   between 1674(1674) and 1722(1722) Medium oil on panel Dimensions 45 X 35.5 cm (17.7 X 14 in) cjr
92906 Elisabeth Dierquens  Elisabeth Dierquens   1694 Medium oil on canvas Dimensions 48 X 40 cm (18.9 X 15.7 in) cjr
76432 Flora with Putti Strewing Flowers  Flora with Putti Strewing Flowers   1696 Oil on canvas cjr
78282 Flora with Putti Strewing Flowers  Flora with Putti Strewing Flowers   1696 Medium Oil on canvas Dimensions N/A (original: 290 x 195 cm) cyf
90232 Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.  Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.   1696 Medium oil on canvas cjr
93606 Lot and his daughters.  Lot and his daughters.   1711(1711) Medium oil on panel Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in). cjr
76375 Portrait of Anna Maria Luisa de' Medici, Electress Palatine  Portrait of Anna Maria Luisa de' Medici, Electress Palatine   ca. 1701 cjr
77992 Portrait of Anna Maria Luisa de' Medici, Electress Palatine  Portrait of Anna Maria Luisa de' Medici, Electress Palatine   ca. 1701 cjr
96560 portrait of his wife Margaretha van Rees and their daughter Maria  portrait of his wife Margaretha van Rees and their daughter Maria   1699(1699) Medium oil on canvas mounted on panel cyf
83799 Sarah Bringing Hagar to Abraham  Sarah Bringing Hagar to Abraham   Date 1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cjr
87693 Sarah Bringing Hagar to Abraham  Sarah Bringing Hagar to Abraham   1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cyf
88597 Sarah presenting Hagar to Abraham  Sarah presenting Hagar to Abraham   1699(1699) Medium Oil on canvas cyf
84695 Sarah presenting Hagar to Abraham.  Sarah presenting Hagar to Abraham.   Date 1699(1699) Medium Oil on canvas Dimensions Height: 76.3 cm (30 in). Width: 61 cm (24 in). cjr
91042 Self-portrait  Self-portrait   1696(1696) Medium oil on panel Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in). cyf
26863 Self-Portrait with a Portrait of his Wife,Margaretha van Rees,and their Daughter,Maria  Self-Portrait with a Portrait of his Wife,Margaretha van Rees,and their Daughter,Maria   mk52 1699 Oil on canvas 81x65.5cm Rijksmuseum,Amsterdam
71776 Shepherd and Shepherdess  Shepherd and Shepherdess   1689 Oil on oak panel 58.5 x 47.5 cm (23.03 x 18.7 in)
42064 The adoracion of the shepherds  The adoracion of the shepherds   mk166 1703 I Wave on board 53x36cm Uffizi, Florence
30028 The Adoration of the Shepherds  The Adoration of the Shepherds   mk67 Oil on panel 20 7/8x14 3/16in Uffizi,Gallery
86476 Young shepherd embracing a shepherdess.  Young shepherd embracing a shepherdess.   Date c. 1690(1690) Medium Oil on canvas Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in). cjr

Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics



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